9 results found
Prompt: A cinematic comic book, hyper-detailed, perfect details, pixar style, intricate details, detailed face, detailed skin digital illustration, Cinematic lighting, Photorealistic, Hyperrealistic, Volumetric, dynamic skin, isometrics details, anatomically correct, Soft lighting, Sharp, bioluminescens , wide focus, dr. Carter and Alex are chased through the city by mysterious agents. (background a street very dark and silent with some trash in the flower, suspense scenario, broken lamps, escape shot, two people hooded on the street exchanging objects, exchanging a suitcase escape shot. Dialogue: Dr. Carter: "We're being followed! They must know we're getting close."conspiracy, background a street very dark and silent with some trash in the floor, suspense scenario, broken lamps, escape shot, two hooded people on the street exchanging objects, exchanging a briefcase, escape shot
Prompt: Brown Jenkin, the witch Keziah Mason, mason jar with fireflies on small town alley, gaslight street lights, ivy covered witch house, shadows , 5D lightning , Illithid lurking, orange-white moon, hyperdetailed green-gold ancient runes intricately carved into witch house, moonlight hitting the mason jar, WHite balance, dreams in the witch house, 8k , Nyarlathotep, intricate, horror, dark mode, white balance, early autumn, eerie dusk, Art by H.R. Giger --ar 16:9 --test --creative --upbeta
Prompt: an intriguing image from 'Shadows of Deception,' an LGBTQIAP thriller directed by Harper Lee. Cinematographer Dylan Scott captures the intense interaction between the lesbian detective (played by Emily Carter) and the non-binary informant (played by Taylor Jackson). Shot in a high-contrast style reminiscent of film noir, the dimly lit room intensifies the suspense. Their polyester attire, reflecting their distinct personalities, adds depth to their characters. The color grading, moody and atmospheric, enhances the sense of intrigue. Release Year: 2020 --ar 12:5 --v 5.1
Prompt: A cinematic comic book, hyper-detailed, perfect details, pixar style, intricate details, detailed face, detailed skin digital illustration, Cinematic lighting, Photorealistic, Hyperrealistic, Volumetric, dynamic skin, isometrics details, anatomically correct, Soft lighting, Sharp, bioluminescens , wide focus, dr. Carter and Alex are chased through the city by mysterious agents. (background a street very dark and silent with some trash in the flower, suspense scenario, broken lamps, escape shot, two people hooded on the street exchanging objects, exchanging a suitcase escape shot. Dialogue: Dr. Carter: "We're being followed! They must know we're getting close."conspiracy, background a street very dark and silent with some trash in the floor, suspense scenario, broken lamps, escape shot, two hooded people on the street exchanging objects, exchanging a briefcase, escape shot --ar 1:1
Prompt: an intriguing image from 'Shadows of Deception,' an LGBTQIAP thriller directed by Harper Lee. Cinematographer Dylan Scott captures the intense interaction between the lesbian detective (played by Emily Carter) and the non-binary informant (played by Taylor Jackson). Shot in a high-contrast style reminiscent of film noir, the dimly lit room intensifies the suspense. Their polyester attire, reflecting their distinct personalities, adds depth to their characters. The color grading, moody and atmospheric, enhances the sense of intrigue. Release Year: 2020 --ar 12:5 --v 5.1
Prompt: Brown Jenkin, the witch Keziah Mason, mason jar with fireflies on small town alley, gaslight street lights, ivy covered witch house, shadows , 5D lightning , Illithid lurking, orange-white moon, hyperdetailed green-gold ancient runes intricately carved into witch house, moonlight hitting the mason jar, WHite balance, dreams in the witch house, 8k , Nyarlathotep, intricate, horror, dark mode, white balance, early autumn, eerie dusk, Art by H.R. Giger --ar 16:9
Prompt: an intriguing image from 'Shadows of Deception,' an LGBTQIAP thriller directed by Harper Lee. Cinematographer Dylan Scott captures the intense interaction between the lesbian detective (played by Emily Carter) and the non-binary informant (played by Taylor Jackson). Shot in a high-contrast style reminiscent of film noir, the dimly lit room intensifies the suspense. Their polyester attire, reflecting their distinct personalities, adds depth to their characters. The color grading, moody and atmospheric, enhances the sense of intrigue. Release Year: 2020 --ar 12:5 --v 5.1
Prompt: Brown Jenkin, the witch Keziah Mason, mason jar with fireflies on small town alley, gaslight street lights, ivy covered witch house, shadows , 5D lightning , Illithid lurking, orange-white moon, hyperdetailed green-gold ancient runes intricately carved into witch house, moonlight hitting the mason jar, WHite balance, dreams in the witch house, 8k , Nyarlathotep, intricate, horror, dark mode, white balance, early autumn, eerie dusk, Art by H.R. Giger --ar 16:9 --test --creative --upbeta --upbeta
Prompt: an intriguing image from 'Shadows of Deception,' an LGBTQIAP thriller directed by Harper Lee. Cinematographer Dylan Scott captures the intense interaction between the lesbian detective (played by Emily Carter) and the non-binary informant (played by Taylor Jackson). Shot in a high-contrast style reminiscent of film noir, the dimly lit room intensifies the suspense. Their polyester attire, reflecting their distinct personalities, adds depth to their characters. The color grading, moody and atmospheric, enhances the sense of intrigue. Release Year: 2020 --ar 12:5 --v 5.1