thenar eminence
4 results found
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Prompt: dungeons and dragons character, style painted character art, a man in a dark cloak, his hood is up, you can't see his face, he has a long beard, reading from a book, with prismatic rainbow colored magic eminating from it and around him, will-o'-the-wisp, background is a moon lit window in a library, infront of him is a desk with papers and books and pens, it's night time outside. --v 6.0
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Prompt: dungeons and dragons character, style painted character art, a man in a dark cloak, his hood is up, you can't see his face, he has a long beard, reading from a book, with prismatic rainbow colored magic eminating from it and around him, will-o'-the-wisp, background is a moon lit window in a library, infront of him is a desk with papers and books and pens, it's night time outside. --v 6.0
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Prompt: : a view of the city beyond the dockside area. if shown, it pulsated, it glowed white in the early sunlight. buildings of limestone or plastered white with gesso. the buildings were frescoed and inlaid with bands and panels of vividly colored paints and mosaics, but the dominant effect was of a city so white, so nearly silver, that it almost hurt my eyes. from the top of every roof, every temple, every palace in the city, from every highest eminence projected a flagpole, and from every staff flew a banner. they were not squared or triangular like battle ensigns; they were pennants many times longer than they were broad. and they were all white, except for the colored insignia they bore. Those incredibly long banners of tenochtitlan were woven of feathers - feathers from which the quills had been removed and only the lightest down used for the weaving. the flags were intricately woven feathers of natural colors; egret feathers for the white grounds of the flags, and for the designs the various reds of macaws and cardinals and parakeets, and various blues of jays and herons, the yellows of toucans and tanagers. they were all the colors and iridescences that can come only from living nature, not from man-mixed paint pots. but most marvelous, those banners did not sag or flap, they floated. there was no wind that morning. the thousands of feather banners undulated gently, soundlessly magically, over all the towers and pinnacles of that magic-island city.
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![Outline of the Palm: Begin by sketching the outline of the palm, which is typically oval-shaped with a slight indentation in the center where the fingers attach. Ensure that the proportions are accurate, and the palm is neither too elongated nor too narrow. Metacarpal Bones: Draw the metacarpal bones extending from the wrist towards the base of each finger. There are five metacarpal bones in total, one for each finger. They are long, slightly curved bones that form the framework of the palm. Phalanges: Sketch the phalanges (finger bones) extending from the metacarpal bones. Each finger consists of three phalanges, except for the thumb, which has two. The phalanges include the proximal phalanx (closest to the palm), the middle phalanx, and the distal phalanx (the tip of the finger). Ensure that the length of each phalanx is proportionate to the others and that they taper slightly towards the tips of the fingers. Joints: Add in the joints where the fingers bend. These include the metacarpophalangeal joints (where the fingers meet the palm), the proximal interphalangeal joints (between the proximal and middle phalanges), and the distal interphalangeal joints (between the middle and distal phalanges). These joints should be represented as small, rounded protrusions along the length of each finger. Connective Tissue: Sketch in the connective tissue that surrounds and supports the bones of the hand. This includes ligaments, tendons, and the palmar aponeurosis, which helps maintain the arch of the palm. These structures can be represented with lighter, thinner lines compared to the bones. Muscles: Optionally, you can add indications of the muscles of the hand, such as the thenar and hypothenar muscles at the base of the thumb and little finger, respectively, as well as [...]](https://i.pikprompt.com/thumb/Outline-of-the-Palm-Begin-by-sketching-the-outline-o-abb772d6.jpg)
Prompt: Outline of the Palm: Begin by sketching the outline of the palm, which is typically oval-shaped with a slight indentation in the center where the fingers attach. Ensure that the proportions are accurate, and the palm is neither too elongated nor too narrow. Metacarpal Bones: Draw the metacarpal bones extending from the wrist towards the base of each finger. There are five metacarpal bones in total, one for each finger. They are long, slightly curved bones that form the framework of the palm. Phalanges: Sketch the phalanges (finger bones) extending from the metacarpal bones. Each finger consists of three phalanges, except for the thumb, which has two. The phalanges include the proximal phalanx (closest to the palm), the middle phalanx, and the distal phalanx (the tip of the finger). Ensure that the length of each phalanx is proportionate to the others and that they taper slightly towards the tips of the fingers. Joints: Add in the joints where the fingers bend. These include the metacarpophalangeal joints (where the fingers meet the palm), the proximal interphalangeal joints (between the proximal and middle phalanges), and the distal interphalangeal joints (between the middle and distal phalanges). These joints should be represented as small, rounded protrusions along the length of each finger. Connective Tissue: Sketch in the connective tissue that surrounds and supports the bones of the hand. This includes ligaments, tendons, and the palmar aponeurosis, which helps maintain the arch of the palm. These structures can be represented with lighter, thinner lines compared to the bones. Muscles: Optionally, you can add indications of the muscles of the hand, such as the thenar and hypothenar muscles at the base of the thumb and little finger, respectively, as well as [...]